Messages from Gaza Now – November/December 2023 – At the doors of the UNWRA Offices

AT THE DOORS OF THE UNRWA OFFICES – A QUEUE TO REGISTER TO RECEIVE FLOUR

Queues of hundreds of people to register and obtain a number and appointment to receive flour.  It’s an ongoing daily queue.

Queues at the doors of the supermarket and commercial shops…stampedes and traffic jams.  The queues continued to form at the entrances of the shops until the goods ran out.  Then these queues disappeared.

Queues at the Bank

A daily queue at the ATM to withdraw cash.  Short queues of a few dozen people.  Most people don’t even have cash in the banks.  Only those who are employed and some rich people….Several thousand out of millions of people in the Gaza Strip stand in front of the ATMs. These are daily queues.

Current Queues:

Current queues started with the truce, queues for cooking gas, for solar power and for petrol, delivered in limited amounts to several gas stations.

Hundreds of cars and carts arrive and line up in a queue stretching for a more than a kilometre, hoping to get fuel whose price has leapt up on the black market.

War is ruin, war is destruction, war is death.  War steals from human beings the most important thing that distinguishes them.  War steals their humanity.  This is something that Israel knows.  This is what Israel is doing in Gaza.

Messages from Gaza Now – November/December 2023 – Queue

QUEUE

QUEUE

During the fifty days, there were many queues.

Queues started, then disappeared.  There were queues, and there still are.  New queues started when the truce began.

A queue for bread, the first queue. Thousands of people standing in a queue in front of the bakery to get the permitted amount of bread, barely enough for one day for a family of 5 people. An orderly queue.

But from time to time, there is a selfish person who pushes himself in front of others, so problems arise.  It ends up with him being shoved far away until he takes his proper place in the queue.

These queues disappeared bit by bit.  In Nuseirat, for example, there were four bread bakeries. The Israelis bombed two of them.  So there were bigger queues at the remaining bakeries until there was no more flour in the market and the gas, upon which the baking and dough-making machines depended, was all used up.

What happened in Nuseirat happened in all the cities of the Gaza Strip.

Half the bakeries in the Gaza Strip were bombed and collapsed on the heads of those working all night long, preparing the bread to answer the needs of the people.  And some closed their doors when there was no more flour left in the market.

And so, in a scheduled way, the people were driven towards famine.

Messages from Gaza Now -November 2023 – My Mother once again

My mother once again

With the tear in her stomach, vomiting happening from time to time, eating nothing for 2-3 days and bleeding in her gastro-intestinal system, the hospital is a must, just to stop the bleeding. Nexium 40mm twice a day in her veins. I bought everything as we did last time, when we asked a neighbour who is a nurse to do the procedure.

The neighbour nurse is not there. She lives in the house next to my father-in-law’s house that was warned it would be bombed. They evacuated.

What can I do? Went out in the street. I don’t know the people; it is not my neighbourhood, I am a stranger here.

I asked people on the street if they know of a nurse nearby. Amazing, at the third house a man said:

  – My wife is a nurse.

I explained to him what we needed. He entered his house and within 5 minutes came out with his wife. We went to our home. She did what needed to be done but my mother’s veins are closed up, they do not absorb the medicine. The nurse said sharply: 

  – She must be taken to hospital!

I’ve kept some fuel, enough for 50km, inside my car for an emergency. Enough to drive us to Rafah. 

This is an emergency. I took my mother to a community hospital in Nuseirat Camp. While driving there the bombing did not stop, as usual, at every minute.

Arrived at the hospital. Outside they have installed a big tent like a field hospital. Some beds inside with some injured people and doctors treating them. Many people moving on all sides, an ambulance arrives, people automatically clear a space for the ambulance. 3 Bodies covered with blankets. Another ambulance arrives, 4 injured; a woman, a young man and 2 children. The young man lost a leg, lots of blood. I did not know what to do. My mother can’t be a priority in this situation. While standing by the entrance, a gentle nurse approached me asking if he could help. I explained my mother’s situation. He said: 

   – Normally we must make a haemoglobin blood test, heart and blood pressure tests, but you see how messy the situation is. I’ll get the Nexium and syringe, inject it with 40mm saline. Come inside.

I went into the first corridor; many people, blood on the floor, a lady is busy cleaning, a bucket of clear water, in 2 minutes it became red, she took it, disappeared for 5 minutes and came back with the bucket refilled with clear water. Some people crying in sorrow, nurses and doctors moving at speed all over the place. The nurse left me, I had been there for 20 minutes when he came back with the cannula, dressing, syringe and the Nexium. He was very good. In 2 minutes he did all that was needed.

My mother slept in her wheelchair. I took her out, lifted her into the car and drove back home.

Night fell. Usually I am a man who likes evenings and night-time, it is my relaxing time, I play cards with my friends, watch favourite movies, lie down lazily on my couch. Now I am unable to like evenings or nights. As darkness falls, life stops, frozen, no movement, no activities, no sounds but the sound of bombing and drones which double in the silence a million times.

My mother woke up with her hallucinations again, her internal fear that I can’t help. She sees people and things, people that provoke her and things that frighten her. She screams out of fear, she sees me doing bad things and she curses me, and I am helpless. The calming pills do not help this time. From 5pm until the following morning at 8.20am she suffers from her hallucinations and I suffer from insomnia and helplessness. I went downstairs to get her breakfast. 10 minutes later, I came up and she was asleep. I did not wake her, she needs to sleep. She needs to rest.

I called Dr Yasser Abu Jamei. He is a psychiatrist and the General Manager of Gaza Mental Health Program. Explained to him my mother’s case, he sent a message with the name of a medicine that I should give her, one pill every evening. I left my mother asleep, or maybe unconscious and went to the UNRWA clinic. No internet, could do nothing, just wrote part of this piece, bought the medicine and went back home. Back at home my mum was still asleep. It is 6.13pm. She is still asleep. The breakfast is still there, untouched. Is this good? Is this bad? Shall I wake her up and give her the medicine? But I am afraid that she’ll wake up with her hallucinations and spend another night of fear and insomnia. Is it ok to let her sleep this much? I don’t know. I will wait. I took some food, my first meal of the day. I washed my body with some water, a shower is an unavailable luxury. It is 8.15pm. She slept 12 hours. 11.25pm, 15 hours! Finally I decided (selfishly) to leave her asleep and see what would happen.

By the way, now I only have fuel in my car for 40km. 

Messages from Gaza Now – November 2023 – The Valley of Death

The valley of death.

An introduction may be needed!

Israeli army obviously determined to empty all the hospitals of Gaza City and the north no matter the cost. 

No matter how many lives lost, 

No matter how many injured people and regular patients won’t receive treatment, 

No matter how many tumour and cancer patients die, 

No matter how many patients in the Intensive Care Units will die, 

No matter how many patients will choke without oxygen, 

No matter how many people in need of urgent surgery will not get it, 

No matter how many premature babies, not completely born yet, won’t see life, as they will suffocate in their incubators – two died already according to the Ministry of Health,

No matter what International Humanitarian Law and the 4th Geneva Convention say,

Israeli army cut the electricity completely from day one of the war, then prevented the entry of any fuel that could operate the electricity of stand-by generators and also bombed all solar panels on the roofs of the hospitals: 

Al Shifa in Gaza City, 

The Indonesian Hospital in the north, 

Kamal Adwan in Beit Lahia,

Al Rantisi, the only children’s cancer hospital in all of the Gaza Strip – three died already, according to the Ministry of Health, 

Al Nasr Hospital in Gaza City, the specialised paediatric hospital. 

The Psychiatric Hospital, the only psychiatric hospital in the Gaza Strip. 

All these hospitals were obliged to stop operating, some were bombed, others damaged.

Al Shifa hospital is the main hospital in Gaza Strip and the biggest. It was a target for the Israeli army from the beginning. They bombed the baby delivery section, they bombed the outdoor clinics, they bombed the main gate several times and, each time, people were killed and injured. They bombed ambulances carrying injured people at the hospital gate. Yesterday they got very close to the hospital, bombing and shooting around it as if a gate of hell opened, bombing and destroying most of the houses and buildings surrounding the hospital.

My eldest brother, 60 years old, with his 2 sons, Mohammed, 23 years and Hisham,15 years old and his sick, blind wife took refuge at Al Shifa Hospital on 12th October 2023. My brother’s wife suffers from kidney failure. She needs hospital treatment 3 times a week; she needs to be connected to a machine through her veins in order to clean her blood. Each time the machine functions as a kidney for 4 hours. As a matter of fact, that’s why they chose to take refuge at Al Shifa Hospital. Many of the 50,000 displaced people inside Al Shifa Hospital are families of sick people with chronic diseases. They’re there so they can get health services more easily. Many of them are families of people injured during the war.

Yesterday, my brother and his family decided to leave. They were certain of being killed if they stayed. They go south, out of Gaza City. My brother, carrying 60 years of agony, poverty, hard work and pain on his shoulders, his son Mohammed pulling the wheelchair with his mother on it, the mother holding a bag of stuff, clothes and some food, on her lap, and Hisham, the young boy, carrying a backpack and a handbag. With the bombing, the shooting, the drone noise, the airforce passing, the sound of the crowd surrounding them, they walk out.

They need to go to the Zeitoun area, a distance of 3 kilometres, in order to reach Salah Al-Deen Road which connects Gaza from north to south. They walk. Streets are empty except for some people also carrying what they can of their belongings, heading toward Salah Al-Deen Road. 

Streets? Destroyed, damaged, big holes, water leakage, sewage leakage.

For 200 meters, for my brother and his family, it was absolutely similar to walking through a mine-field, walking side by side with death. They’d already seen dead bodies along the road.

Passing tanks, soldiers, they continue another 2 km before arriving at an area where there are people, just 1km from Bureij and Nuseirat Camps. They finally found a donkey cart to give them a ride to Al Aqsa Hospital in Deir Al Balah, 18km from Gaza City.

This was no different from Dante’s Inferno in The Divine Comedy, maybe Dante would be even more inspired if he walked this route.

Mohammed, most of the time and whenever possible, was trying to call me. Mobiles did not work. At 9pm my mobile was ringing, it was Mohammed,

   – ‘Where are you? Are you safe? Could never reach you while you were in Gaza’.

   – ‘We are in Al Aqsa Hospital, with nothing’.

   – ‘Try to manage tonight, I will be there in the morning’.

There is nothing to be done at this time; no movement at dark.

First thing in the morning, I went to Deir Al Balah. It was early. Walked. Walking total today is 11.5 km.

I arrived, people everywhere. The front and back yards of the hospital are full of displaced people, injured people and their families. At the gate of the hospital, they were laying out 3 dead bodies, just arrived from Nuseirat, from a bombing of a house there.

I start to ask people about the new arrivals from Gaza City. There were many. I kept asking and looking until I found them, in a small space of 2 metres square, provided by a family who’d been taking 4 metres square.

Mohammed was not there, he’d gone to get some medicine for his mother. My brother has aged 50 years in these few days and since I last saw him 40 days ago. Hisham was sitting beside his mother, doing nothing, saying nothing, his eye balls do not move, looking to one side, looking at nothing. I tried to talk to him. He did not respond. Hisham, the boy who I love the most, the boy who loves me the most. Hisham, who every time I visit, runs towards me and asks for a hug. Hisham is not responding to me. What happened my boy?

I don’t know if it is the psychological first aid techniques that I learned during my work as a Child Protection Officer, or the power of love, after 15 minutes Hisham looked at me, jumped into my arms and cried, cried as he never did, cried and cried, his body moved and shook in my arms. I did not cry. I hold back my tears, my tears that wanted very much to come out. I hold back so it burns me inside. Cry, baby, cry my son, no shame, cry as much as you want, cry as much as you were afraid, cry until your cries reach the sky or reach a moving heart somewhere in this mad world.

Messages from Gaza Now 2

Messages from Gaza Now 2

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Tuesday, 7th November 2023 | 19:00 – 21:00

P21 Gallery 21-23 Chalton Street, London NW1 1JD

This is the second event at which we will be sharing of texts and messages we have received over the past days from our colleagues and friends in Gaza. We are also seeking out testimonies from actions taken against people in the UK and the West who have shared views sympathetic to Palestine.

Our Messages from Gaza event on Tuesday 24th October gave participants a deep and detailed insight on the human consequences of the attack on Gaza. Throughout Palestine and our societies in the West there have been many other consequences, fatal and life-changing. We are seeking to express the enormity of the events we are living through.

The texts will be read, as at our previous gathering by a group of artists and others who have assembled themselves around our GAZA: THERE & HERE project. This event is a chance to breathe into the personal experiences of Palestinians in the crisis caused by genocidal violence. Listening and bearing witness together we can deepen our sense of solidarity and love.

Az Theatre (London) and Theatre for Everybody (Gaza) have been in creative partnership since 2009. Az has been in constant contact with our colleagues and friends in Gaza and they have sent us voice messages and texts which describe their experiences of the bombing, the evacuation of the north of Gaza, the conditions in which they find themselves away from their homes and their efforts to get provisions for their families and to help their neighbours and other displaced communities.

Az was in the process of developing a new stage of its collaboration called AUGUST 9th PROJECT (the date in 2018 when the Israeli armed forces destroyed the Al Mishal Cultural Centre in Gaza). It involves 30 creative workshop session in 3 centres in Gaza. The people who have sent these messages are the Co-Directors of Theatre for Everybody, Hossam Madhoun and Jamal Al Rozzi alongside producer/manager Shouq Al Najjar.

Hosts:
Jonathan Chadwick
Ruth Lass

Book your spot via the link below:

 BOOK NOW 

Messages from Gaza Now

Messages from Gaza Now

 


  

Tuesday, 24th October 2023 | 19:00 – 21:00

P21 GALLERY
21-23 Chalton Street London NW1 1JD

https://p21.gallery/news/141

This event will be a sharing of texts and messages we have received over the past few days from our colleagues and friends in Gaza.

Az Theatre (London) and Theatre for Everybody (Gaza) have been in creative partnership since 2009.  Az has been in constant contact with our colleagues and friends in Gaza and they have sent us voice messages and texts which describe their experiences of the bombing, the evacuation of the north of Gaza, the conditions in which they find themselves away from their homes and their efforts to get provisions for their families and to help their neighbours and other displaced communities.

This event is a chance to breathe into the personal experiences of Palestinians in the crisis caused by genocidal violence.  Listening and bearing witness together we can deepen our sense of solidarity and love.

The readings will be read by the group of artists who have assembled themselves around the GAZA: THERE & HERE project that Az Theatre have been developing in London with Theatre for Everybody in Gaza, including an event in December at P21 and a ‘Listening Circle Event’ in Finsbury Park in September of this year.

Az was in the process of developing a new stage of its collaboration called AUGUST 9th PROJECT (the date in 2018 when the Israeli armed forces destroyed the Al Mishal Cultural Centre in Gaza).  It involves 30 creative workshop sessions in 3 centres in Gaza.  The people who have sent these messages and accounts are the Co-Directors of Theatre for Everybody, Hossam Madhoun and Jamal Al Rozzi alongside producer/manager Shouq Al Najjar.

HOSTED BY Az Theatre

Book via the link below:

 BOOK NOW 

Messages from Gaza: a father and daughter speak about their experiences

Message from Hossam Madhoun, co-director of Theatre for Everybody, the company in Gaza that Az Theatre has collaborated with since 2009:

Third day of the war 

2.22 am 

Trying to sleep

Don’t know how, bombing all the time, the sound of the bombings mixed, sounds of bombing far away, sounds almost farther away, sounds, not far but not nearby, sound nearby but no impact on the building, sounds very nearby and the building is shaking, the windows want to move out, but something, I don’t know what, is holding them in place. Maybe next bombing it won’t hold in place and blow broken, all at once.  So far not yet.

After three days with the same horrifying atmosphere, no sleeping, my eyes are falling closed. Yet my head is shaking me to keep a wake, never knowing what would happen, never knowing if the next bombing will hit us, or force us to evacuate like thousands whom already evacuated their homes. 

We prepare a ‘run away’ bag, but the scenario of evacuating is already a nightmare. With my disabled 83 year old mother in a wheel chair, my terrified dog, and of course with my strong wife.

But we did not prepare yet where to evacuate? Where to go? Choices are zero. Any movement toward any other family members in any other city is already a suicide attempt. Nearby friends already hosting many of their family members. May be staying inside the car would be an option. We really don’t know 

Yes, I started with trying to sleep, ok again, trying to sleep at 2.22 am, I think I succeeded to sleep. At 4:37 am my wife, Abeer, was calling my name, I heard my name as it comes from far distance, again Abeer is calling my name. What? I said, still keeping my eyes closed.  

There is knocking at the door. I open my eyes, I see nothing, complete darkness. No electricity, no stand-by generator, not the slightest light from the street. Dark. 

I said: there is no knocking. She said: listen. I listened. There is a soft knocking at the door. I took my mobile, opened the light option and moved toward the front door. The soft knocking continues 

Who is it? 

Saleh’s mother (our neighbour from the fifth flour) 

(Without opening the door) : Whats up, Om Saleh?

It is Salma your daughter in Lebanon, she has been trying to reach you for hours, and when she could not, she called my niece who is living in Jordan who called me asking to reach you. She is so panicked because you do not reply. 

Thanks, Om Saleh

Trying to call Salma, it is impossible, no internet, no mobiles since 11 pm last night when the Israeli air force bombed the telecommunication company

Salma, our only daughter who is away from us for the first time in her life, in Lebanon since a month ago, for her Master’s degree. I got very frustrated. I must find a way to contact her, to cool her. I know she will collapse if she doesn’t hear from us. She has already thought of leaving her Master’s to come back to be with us. 

Bombing continues while this is happening, the dog sticks to me in fear, my mother wakes up asking to go to the rest room. And I am trying to think what to do? 

Trying to call Salma by mobile, all calls fail. 

I went down to the basement of the building where at least 6 families from the higher storeys of the building took refuge. 

I asked if there is any other alternative way of internet or communication, they said, no we all lost this privilege. 

The building guard said: if you go out of the building you might get signal for the mobile, 

Going out?? in this dark?  In the street? With bombing every single second and no one knowing where it will happen and what are the targets? 

It took me zero time though, I moved out away from the building to the direction the guard asked me to go, trying to call, failed, moving further and trying again, failed, moving and trying again, after at least 17 times, the mobile rang at the other side, Salma, yes, finally. She said nothing, she fall in deep crying, I understood, I could imagine what she went through during these hours without reaching us. I let her cry, I wanted very much to cry, I could not, I should not. 

What’s up Salma, we are ok, we are alive, you know communication was interrupted. 

I really don’t know what I said until she calmed down. She went to her University, and I went back to think things through with Abeer, if we had to evacuate, where to go????. 

It is 9:45 am I am finishing writing this post.

 

Message from Salma, Hossam’s daughter.  She is in Beirut having arrived a month ago.  She is studying for a Master’s in International Law. Because for a while she was cut off from her parents – as you can read in Hossam’s account – she sent these messages through social media:

My family hasn’t had internet since yesterday, so we decided to send me a text message every two hours to reassure me that they’re fine; until I get the message, I’ll be vomiting up my organs out of terror.  May Allah protect them and keep them safe.

Then later:

I feel guilty that I’m safe!

Then later:

I am thinking that the pigeons flying by my window are missiles that are about to murder me.

Then she wrote: 

There is no media coverage, more than 7 journalists have been killed, there is no electricity, internet, helplines, or water, and all aid is forbidden from entering the Gaza Strip. Today, Gaza is more than just an open-air prison; it is also a locked area of genocide.
Today is the fifth day for the brutal aggression on Gaza and there’s more than 1000 martyrs and around 5000 injuries. More than a 1000 buildings were destroyed and damaged meaning that 10x are now homeless. And more than 664,000 civilians have been displaced to schools. The schools that more than 664,000 people displaced to are also not safe in which a lot of them was bombed on the heads of its residents.
This aggression is not excluding anyone, not even children where I wonder how they are threatening such an aggressive occupation presence. Innocent people, civilians, women, and children are being killed in the worst ways possible, they’re seeing their families, and their beloved ones dying in front of them.
Healthcare workers see their family members’ dead bodies among the victims that they are attempting to help. Numerous hospitals among the Gaza Strip fully stopped working due to bombing the hospitals itself, and even the ambulances have been targeted, this hostile occupation does not want the injured to be treated, their explicit purpose is to vanish the city and the civilians living in it. The Civil Defense and the Red Cross are unable to reach the massacres and are unable to help this amount of people who are exposed to this aggression, people be crying and asking for help under the rubble without any assistance.
Where is the international community that is seeking to implement the International Humanitarian Law?
Why are the boot lickers still scared, covering their eyes and keeping their mouths shut?
What should be moving countries and general well other than a wholesale slaughter??

I left Gaza a month ago to study Masters in Lebanon. This decision was difficult to make because anything may happen to anyone at any time in Gaza, but my parents backed me and I travelled to pursue a better education at an outstanding college.
And now I’m 300 kilometres away from my parents, but it feels like millions since returning to gaza is nearly impossible. The distance heightens my sense of powerlessness, as I yearn to be with my family.
My heart is heavy during these terrible times since I am away from Gaza for the first time while there is an attack on it, all my thoughts are with my family in Gaza, I can’t do anything other than following up with the news and pray for my family and my beloved ones.
The reality of being far away while facing the brutality of hostility is extremely difficult to bear. The distance amplifies my worry and helplessness, as I long to be there with them, ensuring their safety and well-being. The concern for their safety weighs on me every moment.
WHY DID I THINK THAT TRAVELING TO SEEK BETTER EDUCATION A GOOD IDEA, MEANWHILE MY FAMILY AND FRIENDS ARE UNDER ATTACK AND MY DESTINY OF BEING UNDER THIS HOSTILE OCCUPATION WILL NEVER LEAVE ME. 

 

 

  

  

GAZA: THERE & HERE Listening Circle Event Finsbury Park London September 10th 2023

GAZA: THERE & HERE

LISTENING CIRCLE EVENT                                                    

Sunday 10th September 2023 

3pm – 4.30pm

Finsbury Park, London

 entering the park by Manor House Entrance, turn right onto main pathway, a short way along opposite the polytunnels under the trees

Live from Gaza! Conversation with Theatre for Everybody and friends PLUS Public reading of accounts of military invasion from testimonies by Palestinian citizens of Gaza.

Listening to experiences and voices of Palestinians in Gaza, amongst the trees in a city park in London on a late Summer Sunday afternoon, can we hear and can we share? 

Join us and bring something to sit on! An umbrella if it’s raining!

This is a continuation of the work created by Jonathan Chadwick and Ruth Lass based on Frank Smith’s GAZA D’ICI-LA.  

In this work Frank Smith has created ‘accounts’ extracted from the reports of testimonies given by Gaza citizens to the Goldstone Inquiry (United Nation’s Fact-finding Mission on the Gaza Conflict) in 2009.  This is the sole time that citizens of Gaza have given evidence to an international judicial body about their experiences of military attack and treatment by Israeli armed forces.

We may include the reading of other texts about the experiences of people in Gaza at this upcoming LISTENING CIRCLE EVENT

We ran an event at P21 Gallery in June 2023 where we asked artists to read these accounts following a live conversation with Hossam Madhoun and Jamal Al Rozzi, Directors of Theatre for Everybody in Gaza.  We also read and exchanged with our friends in Gaza the accounts that Hossam Madhoun wrote during the 2014 attack on Gaza.  These account are available here.

We are experimenting with an open public accessible ways of presenting this material.  We want to find ways of deepening solidarity with Palestinians and increasing our understanding of their experience.

Thank you to all the people who took part in our event in June.

Emigrants project description

This is information about a new project we are initiating

Proposal for a theatre production – Theatre for Everybody

The Emigrants by Stanislaw Mrozek in a special Gaza adaptation. 

Introduction:

The siege 

Palestinians in Gaza are ‘locked in’, denied free access to the remainder of the occupied Palestinian territory and the outside world. Movement restrictions imposed by Israel since the early 1990’s and intensified in June 2007, following the takeover of Gaza by Hamas, have severely undermined the living conditions and the health and education systems. The isolation of Gaza has been exacerbated by restrictions imposed by the Egyptian authorities on its only passenger crossing in Rafah. Thus, for example, thousands of students have lost the opportunity to complete education overseas. They have also deprived by the internal Palestinian division. Although the blockade and related restrictions contravene international humanitarian law as they target and impose hardship on the civilian population, effectively penalizing them for acts they have not committed, the international community have remained silent. Major escalations of military attacks by Israel in the past years have resulted in extensive destruction, thousands of causalities and major internal displacement.

Unemployment 

In Gaza it continues to rise. According to the Palestinian Central Bureau of Statistics, unemployment in Gaza reached 52 percent in 2018, an increase of almost eight percent since 2017 and of more than 20 percent since Israel imposed the closure in 2007. Since Hamas took over the control on Gaza on 2007, it has ruled Gaza with a harsh dictatorial regime.  Speaking out and self-expression has led to prison.Posts on Facebook or twitter criticising Hamas have led many young people to spend many days in prison suffering  humiliating investigation and torture. 

During the last few years, and in particular after the war of 2014, a new phenomenon has appeared in Gaza. For the first time suicidal incidents among young people are on the increase.  Gaza’s young people turn to suicide in growing desperation.

In March 2019, hundreds of Palestinians participated in protests against rising prices and in opposition to Hamas in various locations in the Strip. These were the ‘We Want the Right to LIve’ protests. Hamas security forces cracked down harshly, beating protesters and arresting hundreds. Demonstrations have since petered out.

The Rafah Crossing between the Gaza Strip and Egypt was opened under the Palestinian Authority in November 2017 for the first time in a decade, permitting Gazans take a plane to Turkey for vacations. However, many residents — mainly young and educated — saw that as an opportunity to escape the impoverished enclave, they were smuggled onto boats and sent to Greece, from which they travelled to other European countries — chiefly Germany, Sweden and Belgium.

Though the perils of the journeys ahead of migrants are well known, many Palestinians are still determined to leave the Gaza Strip, where life is no longer bearable. 35,000 Palestinians left the Gaza Strip between 2014 and 2018 and didn’t return due to the financial crisis there and lack of hope and the absence of any visible horizon of change. 

Many young Palestinians have lost their lives on the way to ‘salvation’, as they might see it. For example, among dozens of migrants killed in June 2019 when a boat capsized off the shore of Turkey were 13 Palestinians escaping Gaza.

Arriving in Europe has not necessarily solved the problem for these thousands of young people. In Belgium alone, 20,000 young men requesting refuge are stuck in refugees’ centres for years waiting for reply from the authorities.  Many could not complete their education. Thousands are working in the illegal economy. Life is not at all what they expected and they lose years of their young lives without any goal or achievement. 

The project: 

Theatre for Everybody is planning to produce The Emigrants to audiences of young men and women, university students and others. In the first phase there will be 5 performances including interactive participatory sessions.  Each performance will have 150 attendees.  In venues in Gaza City and Khan Younis.

The play is a chance for the young attendees to correct stereotypes about Europe and the West in regard to emigration.  It will show an alternative story and how emigration may be far from being the solution to their problems.   

The play is translated into Arabic by Hossam Madhoun and the adaptation will be made by the company under the direction of Naeem Nasr.

Theatre for Everybody will work in close cop-operation with Universities and Youth Associations.

The play:

The Emigrants takes place on a New Year’s Eve in an unnamed West country in the basement lodgings of two immigrants. One is a political exile, an intellectual who gets his money from a mysterious source. The other is a ditch digger who is saving money to return to his ‘homeland’.
The poor, disadvantaged worker hangs around in the splendid city watching the appearances of luxury without being able to buy the pleasures he sees. He yearns to return home to show off his success to his family. The years pass and he does not return but he remains confident that he will return one day. 

His room-mate talks in a language characterized by the dominance of philosophical and political concepts and terms. He spends generously on the worker. Later, we discover that the goal is to make the worker the subject for a study of an individual whose interests do not exceed his immediate individual needs. When the worker discovers this intended examination he feels insulted and this makes him revolt against his project. He tears up the money that he has dedicated his life to saving.

Theatre for Everybody Group

Origins

Theatre for Everybody Group is the outcome of years of work toward creating an alternative theatre in Gaza Strip. For too long theatre in Gaza has been prerogative of Jerusalem and West Bank. Cut off from the world during the long years of occupation, theatre in Gaza was dormant. But within the silence there were yet murmurs.  With strong desire and conviction, ten young people got together to share and learn the art of acting, directing and performing. They invited qualified artists and colleagues from Jerusalem to conduct workshops, training programs and organized productions. They established “Al-Janoub Theatre Troupe.” They started in 1994 a fruitful cooperation with Ashtar Theatre School and with Theatre Day Production. Both offered them intensive training sessions. With Ashtar Theatre School, they made one play and the collaboration with Theatre Day Production lasted for two years during which two plays produced. In 1996, six of the original group of ten branched out to establish “Gaza Theatre Lab.”  

Then, gradually, some differences appeared between Theatre Day Production and members of Gaza Theatre Lab. It was a question of methods of works but more deeply of philosophy. In 1997, Theatre for Everybody was born. The founders (Jamal Al-Rozzi, Hossam Al-Madhoun, and Marianne Blume) wanted before everything to maintain their independence and decided, despite all the difficulties, to find cooperation and financial aid for their projects.

What we are?

We are theatre makers and we want to take part in the society through art. We believe in theatre as an artistic production as well as a way to bring awareness in the society toward all the main problems. We believe that through plays, we can contribute to change the attitudes, to shake the preconceived ideas or at least to bring out the problems (social and psychological). Through entertainment, through shows, we do not lecture people, we just stimulate them, we question them about themselves, about their beliefs and their behavior. Our theatre is committed to the life in all its fullness but not directly political: we do not deliver messages. The artistic quality of our work is constantly our goal: the challenge for the coming years remains to create an audience and to make from theatre a daily cultural need as well as a usual event. A theatre considered as a tool to build the society is our concern but we would like to reach the point that a play could be chosen because of its artistic value. 

Productions: 


2015 War and Peace (theatre play on Tolstoy)
In cooperation with Az theatre – London
Performed in Gaza
Performed in London on 6th august (film) and Gaza, with skype link with the audiences of Gaza and London

2010 – 2011 The Tree, based on Guernica of Fernando Arabal
Director: Jamal Alrozzi
Performed in Gaza

2008 – 2009 “Through the Tunnel”
A play on the life’s of Gazan people under the siege and embargo imposed by Israel on the Gaza Strip (daily life stories)
Director: Naem Naser
Actors from Gaza and Belgium
Performed in Gaza, Belgium, France and Luxemburg

2006 “The Wall” – Theater for Everybody production
A play on the segregation wall built by the Israeli occupation in Palestine
Director Sofian Albobsi (Belgium)
Actors: (from Gaza – Jerusalem and Belgium) Naem Naser, Kamel El-Basha, Philippe Domulin, Rami El-Banna, Gorgina Asfour
Performances: Belgium

2005 “Water Water” – Theater for Everybody production
A play on the water problem in Palestine
Director: Jamal Al Rozzi
Actors: Hossam El-Madhoun, Majda Abu Sharikh, Baha Elyazji, Mohammed Hissi.
Performances: Gaza Strip

2004 “Blue Gold” – International production on the problematic of water
Directors: Claudine Arts – Belgium and Subadh Batnaik – India
Actors: from Belgium, Palestine, India, and Rwanda
Performances: France, Belgium and Luxemburg

2003 “Hayat” – Theater for Everybody production
A play on the problem of malnutrition among pregnant women and children
Director: Jamal El-Rozzi
Actors: Hossam El-Madhoun, Mohammed Abu Karsh, Majda Abu Sharikh, Elena Abdo
Performances: Gaza Strip

2003 “Out of the Pcture” – Theater for Everybody production
A play on the right of disabled people to education
Directors: Philippe Domuline and Claudine Atrs
Actors: Jamal Al-Rozzi, Hossam El-Madhoun, Rami Al-Salmi, Emad Al-Rozzi, Rania Al-Katari
Performances: Gaza Strip

2002 “Checkpoint” – Theatre for Everybody production
Play on the checkpoints build by the Israeli occupation in the Palestinian territories and its impact on the daily life of the Palestinian people.
Directors: Marianne Blume, Claudine Arts and Philippe Domuline
Actors: Naem Naser, Jamal Al-Rozzi, Hossam El-Madhoun, Najah Awadallah, Rami Al-Banna
Performances: France, Belgium and Luxemburg and Gaza
1999-2000 “One thousand and one flowers” – Theater for Everybody production
Director: Naem Naser
Actors: Jamal Al-Rozzi – Hossam Al-Madhoun – Mofyd Sweedan
Performances: 152 shows at Gaza Strip

1998 The Lively Death – Theater for Everybody production
By Athol Fugard (South Africa)
Director: Naem Naser
Actors: Jamal Al-Rozzi – Hossam Al-Madhoun – Marianne Blume
Performances: Amman International Theatre Festival (April 1998)+ Jerusalem Theatre Nights Festival (June 1998) + Gaza Strip.

1997 Lailat Al Omr – Palestinian/Belgian production
Improvisation: Theater for Everybody and Gaza Theater Lab.
Text writer: Hossam El-Madhoun
Directors: Philippe Dumoulin and Claudine Arts (Belgium)
Actors: Jelan El-Shikh – Naem Naser – Jamal Al-Rozzi – Hossam Al-Madhoun – Mohammed Abokarsh
Performances: Gaza Strip for “Gaza mental health program” + in Belgium and France during the “Festival Du Theatre Action”.

1996 Welcome to Hell – Palestinian – Belgian Production
Director: Phillippe Dumoulin (Belgium)
Actors: Ali Abuyasin – Naem Naser – Jamal Al-Rozzi – Hossam Al-Madhoun – Mohammed Hamdan – Mohammed AbuKwick – Rasmi Damo
Performances: Gaza (September 1996) France, Belgium and Luxemburg (2000)



Other activities:

2000 – 2015
Drama therapy programs for children, adults, and people with disabilities

1997 – 2005
Drama trainings and workshops for children and youth

2002
Partners in War Stories long term research and workshop with theatre groups from UK, France, Romania, Algeria, and Serbia

2005
Participate in Theatre in Place of War, long-term research initiated by Manchester University / Drama institution

2005
Participate in Drama in civil intervention international conference, Exeter University, UK

Festivals :
Festival Du Theatre Action, Belgium, 1998 – 2000 – 2002 – 2004 – 2006
Al-Fawanees International Theatre festival, Amman, Jordan, 1997 – 1998
Al-Quds (Jerusalem) Theatre Nights festivals 1998

The Team:

The Director: 

Naem Naser 

27 years’ experience in theatre and drama as a director, actor and trainer 

Founder of Masafat theatre group 

Participated as an actor in 27 theatre productions 

Director of more than 30 theatre play for adults and children 

Worker with Theatre for Everybody group as a director and an actor in several plays 

Participated in theatre festivals in Egypt, Jordan, France, Romania, Belgium and Luxembourg 

Naem is also Musician and Oud player, Naem has composed many songs and produced several music tapes, mainly for theatre shows

Naem the founder of Arab Music national band in Gaza 

The Actors: 

Jamal Al-Rozzi 

More than 30 years’ theatre actor, trainer and director

Participated in more than 30 theatre productions for adults and children

Participated in developing theatre texts through improvisation 

Trainer of acting skills 

Drama therapist 

Theatre production manager 

Participated in theatre festivals in Egypt, Jordan, France, Romania, Belgium and Luxemburg 

Participated in a long term research in drama in place of War with Manchester University 

Participated in Art for promoting social change conference with Exeter University 

Beside his involvement in theatre:

Jamal is considered a key person in the field of disability since 30 years, he is the executive manager of the National Society for Rehabilitation responsible for the coordination of persons with disability working group in Gaza Strip 

Jamal is also a board member of PNGO (Palestinian NGO’s Network)

Hossam Almadhoun 

25 years’ drama activist as actor, director and trainer, in drama in civil intervention, in education and drama therapist 

Participated as an actor and director in more than 20 productions for children and adults 

Trainer of acting skills 

Drama therapy specialist 

Theatre production manager 

Translator of 7 theatre plays from English to Arabic

Participated in theatre festivals in Egypt, Jordan, France, Romania, Belgium and Luxemburg 

Participated in a long term research in drama in place of War with Manchester University 

Participated in Art for promoting social change conference with Exeter University  

Beside his involvement in theatre:

Hossam is a leading professional in the field of child protection, manager of Child Protection Program at Ma’an Development Centre 

Trainer in child protection and ‘child protection in emergency’ 

A member of the child protection working group under the umbrella of UNICEF

A member of the child protection networks in Gaza Strip 

Member of ‘child protection in emergency’ platform

Hossam had a 7 years’ experience in heading an international organisation working in the field of water and sanitation and food security 

The writer: 

Sławomir Mrożek (29 June 1930 – 15 August 2013) was a Polish dramatist, writer and cartoonist. In 1963 Mrożek emigrated to Italy and France and then further to Mexico. In 1996 he returned to Poland and settled in Kraków. In 2008 he moved back to France. He died in Nice at the age of 83. 

What people said about the online readings of SOMEBODY ELSE and THE FIELD

SOMEBODY ELSE 

by Jonathan Chadwick

online reading presented on Thursday 17th April 2020

with Laura Lake Adebisi and Ruth Lass

Alice is a refugee. She has been badly brutalised. She and Margarette, who has spent her working life as an actor, are living together as a part of a scheme called ONE TO ONE.  The scheme ‘matches’ refugee women with women who have volunteered to take mentoring roles.  The apartment they live in is on the northern shores of the Mediterranean. Unable at first to speak and move, Alice eventually proves that she can help Margarette perhaps more than Margarette can help her.

‘Wonderful play, astonishing performances, a new medium for these new times – a deep bow to you all’

‘a complex, lyrical and profound play and..a very moving and profound performance’

‘Thank you so much for such a powerful play! The bird and the angel, you were fantastic! Bravo!

‘It had great emotional truth and each actor zoomed in at us, as if we were the other character.  The intimacy of that was extraordinarily right for this time of lockdown’

‘I was with you in that house by the Mediterranean.  I swam, I was a fish, an actress, a daughter, a woman.  It was magic. Your two voices mixed and were so close and so far away”

THE FIELD 

by Jonathan Chadwick

online reading presented Thursday 23rd April 2020

with

Amed Hashimi, Mikhail Sen, Ruth Lass, Laila Alj, Laura Lake Adebisi, Annie Firbank and Lloyd Trott

Three people, two of whom are theoretical physicists working at a hadron collider, arrive in a field and decide to buy the adjacent house and have a child. Elsewhere a young woman, distraught at the death of her sister, plants a tree and meets a singer. Rebellion, floods and financial collapse precipitate a social revolution.

‘It was a great reading.  I liked the mood, the pace and the anticipation of it’

‘An intense experience. I was completely drawn in.’

‘I like the mix of revolution and counter-revolution, culture and counter-culture’

‘Marvellous actors!’

‘All this weaving between different sciences and questioning about what it is to be, and all these diverse temporalities, these various loves, these different perceptions of existence, constitute a poetic and disturbing work’.

‘We are awed and so impressed by your extraordinary capacity to weave together so many threads in one play and by the actors’ skill in pulling it all off and handling such a rich and complex text with such aplomb and all of you for managing that on zoom! Deepest admiration and gratitude to the whole amazing crew’